Posts Tagged ‘antiques’
french country home decor
June 30th, 2009 | 
Author: french country home decor
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The Complete French Country Home: Living Rooms
The living room is probably the most used or second most used room in the house, vying for top billing with the kitchen. Some homes have formal living rooms, as well as a more casual room for daily use, some have more of a a "great room" concept. Either way, a living room usually has more floor space than other rooms in the house. This makes it a fun room to consider when it comes to decor. There are several elements discussed in this article that may or may not be present in your living room. You can adapt some of the ideas here for use in other rooms of the house as well: Mantel: A mantel is a great place to start the discussion of the French Country living room, since it is often chosen as a major focal point. Mantels in French Country decor can be very austere and imposing, or extremely ornate. Material are usually wood, but one can find mantels made of stone such as limestone. Stone mantles usually have a "bleached" appearance, and look almost like an old world hearth. Many wood mantels have ornate carving. These heavily carved mantels benefit from simpler displays so that the focus can remain on the intricacies already present in the piece. Seating: Choosing the seating that will be incorporated in the living room is the most important choice for the rooms' use and look. In a very formal living room, which will be used less often, or for more formal settings, French sofas and love-seats may be a consideration. These pieces are delicately formed around wooden and steel frames and then covered with fabric and edging materials such as cording. They are usually raised on high legs, and the upholstery is patterned or floral. For a more typical living room, couches and seating need to be comfortable and long lasting, but beautiful at the same time. Leather couches and sofas are a great way to fulfill both of these desires. Leather can be purchased with a distressed patina, giving it the appearance of age. A rich dark leather is usually chosen and warmed with the addition of wooden supports and brass hardware. Many French country couches feature upholstery tacks. The same description apply to single chairs found in the living room. They should mimic the design of the couches. Usually the chairs found in the center of the seating area are oversized and roomy, sometimes accompanied by an ottoman. Smaller accent chairs can be used against walls or windows, in a small reading nook, or with a desk. Coffee Tables: Coffee tables came from the tradition of moving with your guests to another area of you home after a meal in the dining room. In the French Country look, coffee tables can be used to display items while remaining functional, since these tables are usually quite large. The traditional coffee table is rectangular, and there are many choices of woods and finishes. A large square coffee table is an interesting alternative. In any case these coffee tables tend to be low lying. They may have plain tops, be knotted and distressed, or even be hinged with brass eaves that drop down to adjust size. In a more formal living room, a coffee table can still be used. You may want to consider a glass table with wrought iron, bronze, or gilded frame for the more delicate appearance of formal living room furniture. Your French Country Living Room is a place for the family and your guests to gather and relax. Be assured that all of your decorating efforts will pay off in years of enjoyment of this vital area of your home.
About the Author
Andrew Hallinan has 6+ years of organic SEO, PPC SEM, and social media marketing experience. Currently, Andrew owns Tampa SEO which caters to the online marketing needs of small to mid sized businesses in the Tampa, FL area.
Andrew also owns Las Veas SEO and caters to the needs of small and medium sized businesses seeking to maximize their SEO potential.
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Tags: antiques, country, decor, french, french country home decor, french country home decor accents, french country home decor catalogs, french country home decor stores, french country home decorating, french country home decorating ideas, furniture, home, shopping | 
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country french antiques
country french antiques
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![Alvin Gorham] Sterling French Scroll cream soup spoon](http://www.iloveamericaday.net/images/e/290666320800_0.jpg)
Country French Antiques
Country French antiques have been a delight to connoisseurs of antique stuff. From the French antiques the armoires, chairs, chandeliers and tables are the most popular. The French furniture comprises both of the sophisticated items from Paris for the aristocracy and the rich, and furniture from the French provincial cities and towns that showcase talent of the districts. The grand tradition of French royal furniture received its impetus from the establishment of the Manufacture royale des Gobelins under the organization of the arts in the service of Louis XIV of France. The other popular form from France was the furniture from country side that stayed up to the mid nineteenth century.
During the Middle Ages furniture was functional and practical, confined to a few pieces such as table, benches, stools and beds. Carving showed wealth or was used for dowry pieces. This period covers the Romanesque and Gothic eras.
Although Gothic styles continued into the 16th century, the influence of the Italian Renaissance was soon felt in France. Antique Furniture became less heavy, more comfortable and more decorated. Renaissance palaces were particularly ornamental.
During the seventeenth century it was a time of exploration and discovery, as well as religious and political unrest. New wealth changed the style and manner of living. During the first part of the century furniture design was dominated by the elegance of the Renaissance, but gradually changed to the baroque, a massive ornate style originating in Italy. Baroque reached its height in France under Louise XIV. For the first time people expected furniture to be comfortable, as well as beautiful.
The golden age of cabinetmaking, reflected the elaborate social customs of the day. Industrial development, international trade and the migration of craftsmen created prosperity and an exchange of idea. Furniture was influenced by the Orient. Foreign material, especially mahogany, played an important role in the first half of the century, while the discovery of Pompeii and the use of satinwood influenced design in the second half. New pieces and designs appeared. Styles were set in France, migrated to England and then America. There was a particular liking for small tables and cabinets, commodes, and large writing tables. Furniture styles changed from the massive ornate baroque of Louise XIV to the delicate decorated rococo of Louis XV, then to the neo-classicism of Louis XVI and Directoire.
A time of decorative conflict and a wave of classicism was inspired by the discovery of the ruins of Pompeii and social unrest at the end of the 18th century. Expression became congruous to the Louis XV, Directoire and Empire styles. While cabinetmakers exploited new industrialised techniques, they maintained a fascination with the past. Design elements were borrowed from ancient Egypt, Greece and Rome. A renewed interest in the Middle Ages led to Gothic details. Renaissance forms were also admired, and cabinetmakers made enormous walnut buffets. 18th century styles were also thrown into the pot - it was an eclectic mix.
Modern materials and technology changed traditional construction methods, with the emphasis on the functional. Wood was still the most popular material, but glass, metal and plastics were also used. Beauty was provided by structure and materials, rather than surface ornamentation. Furniture was scaled to modern houses and apartments. An interest in traditional styles led to antique collecting and also 'antiquing' and reproduction pieces.
Though modernism in furniture has set in, antique pieces will be cherished and will withstand the testing times of future specially in the French Country Furniture genre.
About the Author
Inessa Stewart, the owner of Inessa Stewart's Antiques & Interiors lives and breathes antiques. Her passion for all things antique is known all over the world. From a small gallery to the largest importer of European antiques in the USA, she has scaled great heights in the world of antiques.
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Tags: antiques, country, country french antiques, country french antiques adamstown pa, country french antiques blog, country french antiques dallas, country french antiques dallas tx, country french antiques louisville ky, decorating, french, furniture, home |
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american made dinnerware
american made dinnerware
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The Fourteen Story Hotel Indonesia
The vintage red 'Hotel Indonesia - Kempinski ' sign above Jakarta's busiest traffic circle is nowadays nearly dwarfed by the gleaming skyscrapers all around it, but it's a curious historical landmark. Known locally by its acronym 'HI' , the hotel is an eerie symbol of President Sukarno's obsessive 1960s effort to create a 'New Jakarta' that would bring international respect to his nation and pride to his struggling people. Opened with great hoopla in 1962, Hotel Indonesia epitomized the era's modernization drive, and as it declined over the years in a retro sort of way, it became the stuff of legends. The lobby displayed priceless evidence from that golden period, a photo of their very first guest, a visibly perspiring American named Allen Alwelt, who worked for the Rockefeller Foundation and is seen arriving in a becak and wearing what the caption describes as "an ordinary shirt with no jacket, and brown cotton trousers", a 1972 photo of a Bee Gees appearance at the hotel's Nirwana Supper Club, a snapshot of a visit by Senator Robert Kennedy.
Australian writer Christopher Koch described it thus In his colorful novel-turned-Hollywood film, The Year of Living Dangerously, set in 1965:
" The fourteen-story Hotel Indonesia (always with a capital H) rode like a luxury ship in mid-ocean, being at this time the only one of its kind in the whole country. It stood in New Jakarta, and like Friendship Square, and Jalan Thamrin, the six-lane highway that carried the traffic here from the Old City, it had recently been ordered into being by President Sukarno, who considered an international hotel necessary to the nation's prestige. Paid for by the Japanese, managed by the americans, it had its own power supply (since Jakarta's was fast failing), its own purified water (since Jakarta's now carried infections), its own frigid air, which no other hotel could offer. Food was flown in from San Francisco and Sydney, or grown on the hotel's own farm. With its restaurants, night-clubs, bars, swimming pool, and shops, it was a world complete. It was also majestically expensive, but heat or gastritis usually broke the resolve of those transients who tried the decaying colonial hotels of the Old City".
Until very recently, decaying actually described Hotel Indonesia itself, reduced through neglect to a sad echo of its former Glory, overtaken on all sides by far more luxurious international-chain hotels. No longer a home-away-from-home for glamorous foreign dignitaries and celebrities, the hotel mainly hosted tired Indonesian civil servants and political party hacks attending seminars in the capital. Five red-and-white ceramic Indonesian flags stood stubbornly over the lobby, greeting visitors at what mostly felt like a theme park to Indonesian nationalism. But history (and globalization) recently came full circle when German hotel group Kempinski revived the fast-deteriorating landmark as one of the city's premiere luxury properties once again.
About the Author
Tour and Travel Notes | Source : The Fourteen Story Hotel Indonesia
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About the Author
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